Tag Archives: Review

Album: Nicolas Jaar – Space Is Only Noise

Nicolas Jaar depresses me. Not only because his music can sometimes be a bit depressive, also because this guy’s only 21 and manages to make this amazing music that also seems pretty mature (while I’m an epic failure as a musician).

I first heard this album about a month ago, and at first it was just a “cool” album for me; but it has grown on me so much since then. Space Is Only Noise has become one of the albums that I  definitely should have included in my top albums of 2011. Nicolas Jaar really hit the spot with his one, I love how the album is so well balanced between weird (and awesome) eeriness and minimal “chill-ness”.


If you like this, check out Jaar’s collab with Dave Harrington, Darkside. Also check the Don’t Break My Love EP, free to download.

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Album: Delicate Steve – Wondervisions

As usual, I’m late… Wondervisions was released early this year, but it’s still worth mentioning. After my first listen, I had to re-listen immediately after… twice. Steve Marion grabbed a bunch of styles and created the weirdest hybrid, Delicate Steve. A little bit of Ratatat here, some Dirty Projectors there; if Temecula Sunrise‘s main riff appeared in one of Steve’s songs, it would not feel out of place. But while he grabs all these styles, he also gives the tracks a personal touch; Steve’s sound is fresh and original.

I do feel like the album needed a bit more work though. It’s only 27 minutes long and while some songs are great, others feel like they’re just there to fill space. The album sticks to a certain style and some tracks feel like they shouldn’t be there, they don’t stick to the main “theme” (but maybe that’s just me). But still, even if it was a short album, there are many moments filled with awesomeness and amazing guitar riffs.

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Track: Bronson – My Idle Bed

Patrick Ebermann (under the pseudonym of Bronson) released the album Paper Tusk about 14 days ago. One of the tracks featured in it is My Idle Bed.  It’s not just one of those home recordings that are floating all around the interwebs. If you know where to look, you can find tons of lo-fi bands or solo projects attempting to get some attention, which is why it is very hard to actually stand out and be heard. Bronson is one of the artists that we should lend an ear to. My Idle bed is very enjoyable, catchy, melancholic yet not whiny. Do check it out, Bronson is still quite small (having a total of 563 listeners on last.fm), so if you like it, you can buy a tape, CD or the MP3s (you can also download a couple songs for free).

A different version of this song was released in 2010 by Patrick’s band, Horses. The recording isn’t bad, but you can tell how his music has progressed (in a good way). Check it out.

Listen:

PS: Top albums of 2011 list coming soon.

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Track: James Blake – Give A Man A Rod (Second Version)


So, today I ran across a James Blake track I had never heard before. This thing has been around since May this year, as a part of a compilation released by the label Hessle Audio: 116 & Rising. The track has almost all the attributes that I like about James Blake: the tasteful use of samples and modified or pitch-corrected voices and the brilliant beats. Give A Man A Rod, differing from many of Blake’s tracks, is not so minimalist. I feel like this track is sort of a hybrid between the Klavierwerke EP (very minimalist) and CMYK (where the tracks are slightly more “club-leaning”).

I highly recommend this, get it here for about 3 dollars.

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Album: Other Lives – Tamer Animals

Released May 2011, TBD Records.

I had never heard of Other Lives until I randomly stumbled upon this video; when I saw it, I didn’t automatically love them, but I thought the band had good potential. Unfortunately, Tamer Animals didn’t really capture me as I had thought, although it was not a total disappointment either.

As I began listening to it for the first time I enjoyed it a lot, especially when I heard the opening track “Dark Horse”. They are clearly influenced by Fleet Foxes but manage to maintain an original sound. But there was something that kept me from loving this thing, and it took me a while to determine what that was. As the album progressed, my initial joy started going downhill. The tracks became less and less exciting, as if they had chosen the best three or four tracks and put them at the beginning of the album. I also had a strong feeling that they were trying way to hard, trying to be the next big thing, the production feels slightly forced and unnatural. When I finished listening to the whole thing I was pretty disappointed. But still, I’m sure some of it’s tracks will remain in my playlists for a long while. The songs themselves are not too bad, but I think that if Other Lives had recorded in a more modest way, this would have been way better.

Listen: Other Lives – Dark Horse

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